Sydney Sweeney and Jonathan Davino’s relationship has once again drawn attention following reports about their recent interaction in Los Angeles. Sources close to the actress revealed new details about where the former couple currently stands and clarified that Sweeney has no plans to rekindle the relationship.
Sydney Sweeney has fully moved on from ex fiancé, reports claim
Sydney Sweeney has reportedly moved on from her former fiancé, Jonathan Davino, following their recent sighting in Los Angeles.
A source told People that the actress “has fully moved on” after what appeared to be a tense meetup between the two over the weekend. Photos published by Page Six showed Sweeney, 28, seated in the passenger seat of Davino’s car on Nov. 1 as they drove off together. The pair’s meeting came months after Sweeney ended their engagement and confirmed their split.
“Sydney was determined to remain friendly with him after they split, but she has fully moved on,” the insider said. “She’s really tried to keep things amicable. He still asks to see her, and she has when she’s had the time, but she’s never getting back together with him. She just wants to move on now.”
Davino, 42, was previously seen attending film premieres in 2024, including Immaculate at the Egyptian Theatre in Los Angeles. Sweeney, meanwhile, has continued to appear at major industry events, including the Echo Valley premiere in London in June 2025 and Armani Beauty’s In the Spotlight party at the Berlinale International Film Festival in February.
In recent months, Sweeney has been linked to music executive Scooter Braun. A source told People in September that they were “casually hooking up,” with the relationship appearing to strengthen since then. The pair were last spotted together in Los Angeles on Sept. 30. “She’s happy with Scooter and thrilled about her career,” the source said. “She has everything she could ever wish for.”
At Variety’s Power of Women event on Oct. 29, Sweeney reflected on playing boxer Christy Martin in her upcoming film Christy, telling the audience, “Playing [Martin] taught me that surviving isn’t the end of the story. It is the beginning of reclaiming it.”
