Review: I’m So Excited!

There seem to be two Pedro Almodóvars at work. One is the recent arthouse darling who makes serious, dark, somewhat twisted, oddly whimsical, deeply emotional soap opera-like feminist dramas that examine vanity, sexuality, family, trauma, and sometimes pedophilia, all within an unexpectedly accessible carnival-like atmosphere. Essentially, all the films he’s made since 1999’s All…

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