When Sofia Coppola’s deliberately anachronistic and assertively moody biopic of Marie Antoinette was released in theaters in 2006, it was lauded ever go gently by sleepy critics who loved its lavish production design, but couldn’t necessarily jibe with its poor-little-rich-girl themes. Many saw the film as a self-portrait painted by the director, herself raised in…
Sydney Sweeney took the chance to prove herself a fashionista once again at the NASCAR championship. She uploaded pictures of…
